CHPATER 5 Culture and Tourism
- Lalit Kala Akadem is apex body for:
(a) Music, dance and drama
(b) Visual Arts
(c) Both a and b
(d) None of the above
- Lalit Kala Akademi, the National Academy of Art, was set up in 1954. Lalit Kala Akademi is the government’s apex cultural body in the field of visual arts in India. It is an autonomous body, which is fully funded by the Ministry of Culture.
- The Akademi is an institution that has rendered service to the nation in the arts sphere long before the world woke up to the global impact of Indian art. It has established, preserved and documented a permanent collection that reflects the vitality, complexity and unfolding patterns of modern and contemporary art in India. All through the year it presents exhibitions and educational programmes of unparalleled significance; sustains a library, art collection, archives, conservation laboratory and supports scholars and publications of pre-eminent intellectual merit all over the country.
- Sangeet Natak Akademi, India’s national academy of music, dance and drama, is a pioneer in the creation of modern India. The ephemeral quality of the arts, and the need for their preservation led to the adapting of a democratic system in which the common man had the opportunity to learn, practice and propagate the arts. In 1945, the
- Sattriya music belongs to state of:
- The Sattriya dance form was introduced in the 15th century A.D by the great Vaishnava saint and reformer of Assam, Mahapurusha Sankaradeva as a powerful medium for propagation of the Vaishnava faith. The dance form evolved and expanded as a distinctive style of dance later on. This neo-Vaishnava treasure of Assamese dance and drama has been, for centuries, nurtured and preserved with great commitment by the Sattras i.e. Vaishnava mathsor monasteries. Because of its religious character and association with the Sattras, this dance style has been aptly named Sattriya.
- Sankaradeva introduced this dance form by incorporating different elements from various treatises, local folk dances with his own rare outlook. There were two dance forms prevalent in Assam before the neo-Vaishnava movement such as Ojapali and Devadasi with many classical elements. Two varieties of Ojapali dances are still prevalent in Assam i.e. Sukananni or Maroi Goa Ojah and Vyah Goa Ojah. Sukananni Oja paali is of Sakti cult and Vyah Goa Oja paali is of Vaishnava cult. Sankaradeva included Vyah Goa Ojah into his daily rituals in Sattra. Till now Vyah Goa Ojah is a part of rituals of the Sattras of Assam. The dancers in a Oja paali chorus not only sing and dance but also explain the narration by gestures and stylized movements. As far as Devadasi dance is concerned, resemblance of a good number of rhythmic syllables and dance postures along with footwork with Sattriya dance is a clear indication of the influence of the former on the latter. Other visible influences on Sattriya dance are those from Assamese folk dances namely Bihu, Bodos etc. Many hand gestures and rhythmic syllables are strikingly similar in these dance forms.
- Sattriya dance tradition is governed by strictly laid down principles in respect of hastamudras, footworks, aharyas, music etc.
- This tradition, has two distinctly separate streams – the Bhaona-related repertoire starting from the Gayan-Bhayanar Nach to the Kharmanar Nach, secondly the dance numbers which are independent, such as Chali, Rajagharia Chali, Jhumura, Nadu Bhangi etc. Among them the Chali is characterized by gracefulness and elegance, while the Jhumura is marked by vigor and majestic beauty.
- Consider the following statement:
- Ek Bharat Shreshtha Bharat was announced in 2016 on the occasion of the 140th Birth Anniversary of Sardar Vallabhbhai Patel.
- All States and UTs except Jammu & Kashmir are covered under the programme
Which of the statements given above is/are correct?
(a) 1 only
(b) 2 only
(c) Both 1 and 2
(d) Neither 1 nor 2
Ek Bharat Shreshtha Bharat was announced in 2015 on the occasion of the 140th Birth Anniversary of Sardar Vallabhbhai Patel. The broad objectives of the initiative are:- (i) to celebrate the unity in diversity of our nation and to maintain and strengthen the fabric of traditionally existing emotional bonds between the people of our country; (ii) to promote the spirit of national integration through a deep and structured engagement between all states and union territories through a year-long planned engagement between states; (iii) to showcase the rich heritage and culture, customs and traditions of either state for enabling people to understand and appreciate the diversity that is India, thus fostering a sense of common identity; (iv) to establish long-term engagements; (v) to create an environment which promotes learning between States by sharing best practices and experiences
- National Mission on Libraries has been set up by:
(a) Human Resource Development Ministry
(b) Ministry of Culture
(c) Niti Ayog
(d) None of the above
National Mission on Libraries has been set up by Ministry of Culture, in 2012 in pursuance of National Knowledge Commission recommendations for sustained attention for development of libraries and information science sector. Its components are: creation of National Virtual Library of India; setting up of NML model libraries; quantitative and qualitative survey of libraries; capacity building. The purpose of National Virtual Library of India is to facilitate a comprehensive database on digital resources on information about India and on information generated in India, in an open access environment.
- In which scheme theme based tourist circuits are being developed?
(c) Swadesh Darshan Scheme
- Under the Swadesh Darshan scheme, thirteen thematic circuits have been identified, for development namely: North-East India Circuit, Buddhist Circuit, Himalayan Circuit, Coastal Circuit, Krishna Circuit, Desert Circuit, Tribal Circuit, Eco Circuit, Wildlife Circuit, Rural Circuit, Spiritual Circuit, Ramayana Circuit and Heritage Circuit.
- Under the ‘PRASAD’ scheme the focus is on development and beautification of the identified pilgrimage destinations. Whereas, in the ‘Spiritual Circuit’ identified under the Swadesh Darshan scheme, the thrust is on development of particular thematic circuit consisting of various religious/spiritual destination in a State and Union Territory.
Under PRASAD scheme, 25 sites of religious significance have been identified for development namely Amaravati (Andhra Pradesh), Amritsar (Punjab), Ajmer (Rajasthan), Ayodhya (Uttar Pradesh), Badrinath (Uttarakhand), Dwarka (Gujarat), Deoghar (Jharkhand), Belur (West Bengal), Gaya (Bihar) , Guruvayoor (Kerala), Hazratbal (Jammu & Kashmir), Kamakhya (Assam), Kanchipuram (Tamil Nadu), Katra (Jammu & Kashmir), Kedarnath (Uttarakhand), Mathura (Uttar Pradesh), Patna (Bihar), Puri (Odisha), Srisailam (Andhra Pradesh), Somnath (Gujarat), Tirupati (Andhra Pradesh), Trimbakeshwar (Maharashtra), Ujjain (Madhya Pradesh), Varanasi (Uttar Pradesh) and Vellankani (Tamil Nadu)
- The Heritage City Development and Augmentation Yojana (HRIDAY) scheme aimed at preserving and revitalizing the soul and unique character of the heritage cities in India, has been approved by the Ministry of Urban Development for the Twelve cities under the scheme in the first phase, namely; Amaravati(Andhra Pradesh); Gaya (Bihar); Dwarka (Gujarat), Badami(Karnataka); Puri (Odisha), Amritsar (Punjab); Ajmer(Rajasthan); Kanchipuram (Tamil Nadu); Vellankani(Tamil Nadu); Warangal (Telangana); Varanasi (Uttar Pradesh); and Mathura (Uttar Pradesh).